THURSDAY AFTERNOON (1984)

"I was delighted to find this other way of using video because at last here's video which draws from another source, which is painting .... I call them 'video paintings' because if you say to people 'I make videos', they think of Sting's new rock video or some really boring, grimy 'Video Art'. It's just a way of saying, 'I make videos that don't move very fast"



Brian Eno
1984, 61 min, color, sound

VIA UBUWEB

ART BY TELEPHONE (1969)

"Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided. -Jan van der Marck (covertext)

Participating artists: Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, Geoge Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln, Viner Wolf Vostell, William Wegman, William T. Wiley."



It's interesting to hear these concepts in their early stages, especially in such a candid context.

via UBUWEB

note: I had to get rid of the seeqpod player on this post because I was unable to disable the auto play feature. If you want to hear the mp3 in its current embedded state, you will need quicktime.

CHRIS BURDEN

Documentation of Selected Works 1971-74

1971-75, 34:38 min, color and b&w, sound

"Chris Burden's provocative, often shocking conceptual performance pieces of the early 1970s retain their raw and confrontational force in these dramatic visual records, shot on Super-8, 16mm film, and half-inch video. Guided by the artist's candid, explanatory comments on both the works and the documentative process, these segments reveal the major themes of Burden's work -- the psychological experience of danger, pain, and physical risk, the aggressive abuse of the body as an art object, and the psychology of the artist/spectator relationship. This compilation is an historical document of one of the most extreme manifestations of 1970s conceptual performance art. Included are the infamous Shoot (1971), in which Burden allows himself to be shot in the arm; Bed Piece (1972), in which he stayed in bed in a gallery for twenty-two days; and the notorious Through the Night Softly (1973), which featured Burden, arms tied behind his naked torso, dragging himself over shards of broken glass. Also included are: 220 (1971) Deadman (1972) Fire Roll (1973) Icarus (1973) B.C. Mexico (1973) TV Ad (1973) Back to You (1974) Velvet Water (1974)."

via UBUWEB